The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. Not many design pieces offer that unusual quality. Here we also see the principle of the Japanese wabisabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, modesty, and austerity offer a humble and honest beauty. The relationship between the elements ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. All massive parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in chocolate colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique. The shape is compact and it holds a monolithic character. Due to its solidity and proportions, it somehow resembles an altar. An integrated shelf on the side is a part of this simple design with perfect proportions. The tabletop which is done in skai has been redone, as well as the plywood under it in order to ensure a flat surface. I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and warm colours. As a desk, it finds its place in any space. I personally love the fact that you can sit at your desk, positioning both office and lounge chairs on the other side. The conceived shelf which is suitable for display of collectable items and books creates a wonderful setting which hides the user’s legs behind it. P! Galerie’s selection is mainly focused on rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand. Artefacts from our carefully curated collection are handpicked, and all traces and important indicators of authenticity are evaluated professionally. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Each object comes with a certificate of authenticity, offering you the opportunity to own a valuable artefact originating from a UNESCO-designated World Heritage Site. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Eric Touchaleaume and Gerald Moreau, ‘Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture’ (Paris: Gourcuff Gradenigo, 2011), 572. Edition Galerie Patrick Seguin, ‘Le Corbusier, Pierre Jeanneret: Chandigarh, India’ (Paris: Galerie Patrick Seguin, 2014), 248-9, 288.
Get in Touch
Make An Offer
We noticed you are new to Pamono!
Please accept the Terms & Conditions and Privacy Policy
Get in Touch
Make An Offer
Almost There!
To follow your conversation on the platform, please complete the registration. To proceed with your offer on the platform, please complete the registration.Successful
Thanks for your inquiry, someone from our team will be in touch shortly
If you are a Design Professional, please apply here to get the benefits of the Pamono Trade Program