Mid-Century Modern PJ-SI-25-E Student Chair by Pierre Jeanneret, 1958

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It is made out of basic elements, illustrating a new language: essential and cleared of everything irrelevant. Here the silhouette is strong. It is presented through the outline and shape of the piece.

All massive wood parts are authentic. They are done in Indian teak. Rich in texture, the wood is vivid and comes in whiskey colour. The surface is treated with shellac and there are several layers of original shellac. It provides smooth irregular gloss different from that of the sterile lacquerware nowadays. Charming irregularities show that each piece is unique.

Chandigarh items are famous for A-shaped legs, also known as compass legs. On the inner side, the edges are sharper, while the outer edges are rounded. The shape of the legs illustrates the weight they carry. Here it is obvious that Pierre Jeanneret, together with Jean Prouvé and Le Corbusier, had a structural, not decorative, expression.

The upholstery is redone in a traditional way. As foam was used for the original seat, we upholstered it accordingly. This has been redone in high-end vintage leather in black colour as per original design.

I think the piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials. As a chair, it is usable for dining and working, supporting the back nicely.

Literature: Eric Touchaleaume and Gerald Moreau, 'Le Corbusier Pierre Jeanneret: The Indian Adventure, Design-Art-Architecture' (Paris: Gourcuff Gradenigo, 2011), 561.