Model 2050 Pendant Light attributed to Franco Albini & Franca Helg for Arteluce, 1963

About This Piece

Vintage Design

Rare first production of the model 2050 chandelier designed by Franco Albini and Franca Helg and manufactured by Arteluce in Italy, 1963. Very nice pendant lamp with a neutral brown coloured acrylic glass shade and a frosted rounded glass diffuser shade on the inside. The shade had a really nice inner texture of horizontal lining especially when lit. This gives the lamp its elegance. On top of the shade sits a chrome plate where the chrome stem and cable is attached to. The stem has two open circles that go through the rings on both sides. The ceiling fixture is also made of chrome. The lamp has the original sticker on the inside of the shade. Also is the lamp in very good original condition. Franco Albini, an influential Italian architect known for his work in Rationalism, collaborated with Franca Helg on various projects. Together, they designed everything from big projects like Milan Metro line 1 stations, where they worked with graphic designer Bob Noorda, to smaller-scale urban developments, buildings, and museums across Italy. In the world of design, Albini and Helg are renowned for creating timeless furniture and accessories. Their designs were innovative, both in their approach and their choice of materials, making them significant contributors to the evolution of design culture in the early 20th century, recognized internationally for their impact. This lamp is checked in our own atelier, cleaned and is also suitable for use in the USA. For US usage we could change the plug, or you can get a converter if needed for a floor or table lamp with transformer in it.

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* The cable of this item may be original and might need replacement, if not specified otherwise.

Creator	Franco Albini
Manufacturer	Arteluce
Design Period	1960 to 1969
Year	1963
Production Period	1960 to 1969
Country of Manufacture	Italy
Identifying Marks	This piece is attributed to the above-mentioned designer/maker. It has no attribution mark
Style	Vintage
Detailed Condition	Very Good — This vintage/antique item has no defects, but it may show slight traces of use.
Product Code	NVG-2048042
Restoration and Damage Details	Wear consistent with age and use.
Materials	Acrylic Glass
Color	Brown
Height	147 cm 57.9 inch
Diameter	24.0 inch
Weight Range	Standard — Between 40kg and 80kg
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.

Shipping & Delivery

Ships from	Netherlands
Duties Notice	Import duty is not included in the prices you see online. You may have to pay import duties upon receipt of your order.
Returns	Returns accepted within fourteen days of delivery, except for Made-to-order items

Sustainability

Carbon Neutral	For every purchase made, Pamono offsets 100% of estimated carbon emissions from global shipping.
Vintage	Choosing vintage and antique furniture reduces your carbon footprint by cutting down on waste and reduces demand for new materials and extends the life of the products we use.

Delivery Options

Front Door Delivery: (Included in Every Order)	A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below). The delivery partner will email and/or call you at least one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery.
In-Home Delivery: (For in-home delivery service, additional fees apply. Please get in touch)	A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers. The delivery partner will email and/or call you one day in advance to arrange a delivery time. A wooden crate may be used for intercontinental shipments for maximum protection. Item will be left in its packaging after delivery. A signature will be required upon delivery.

Front Door Delivery:
(Included in Every Order)

A skilled driver will unload the item(s) from the delivery truck and bring it to your building’s doorstep. You will be responsible for further transport beyond that point. We recommend asking a family member or friend for an extra hand; alternatively, you may upgrade to In-Home Delivery (see below).
The delivery partner will email and/or call you at least one day in advance to arrange a delivery time.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

In-Home Delivery:
(For in-home delivery service, additional fees apply. Please get in touch)

A skilled driver or a team of two will bring your item(s) inside your home and place it in the immediate entryway. For unusually large or heavy items, we recommend asking a family member or friend for an extra hand, as we cannot send more than 2 drivers.
The delivery partner will email and/or call you one day in advance to arrange a delivery time.
A wooden crate may be used for intercontinental shipments for maximum protection.
Item will be left in its packaging after delivery.
A signature will be required upon delivery.

*Important Note

Please examine every order upon delivery. In the event that there are visible signs of damage or missing or incorrect pieces, please indicate the problem on the Delivery Note and contact us within 48 hours of delivery. A signed delivery receipt without notations of missing, damaged, or incorrect item(s) represents your acceptance of the complete order in perfect condition.

About the Creator

Franco Albini

Born near Milan in 1905, Franco Albini was an Italian architect, urban planner, and furniture designer active between the 1930s and the 1960s. He studied architecture at Milan’s famous Politecnico, apprenticed under master architect-designer Gio Ponti, and played a key role in formulating the Rationalist movement in Italy prior to World War II.

Throughout the post-war era, Albini continued to create furniture and architecture aimed at purity of expression through modularity and affordable materials. While his work tends toward formal reduction, it also maintains a warmth and charm that stems from his enduring respect for context and tradition.

Albini worked with various mid-century manufacturers during his lifetime, including Cassina, Arflex, Poggi, Arteluce, Brionvega, and Knoll, and many of his designs are still in production. He received multiple awards for his work, including three prestigious Compasso d’Oro Awards.

About the Maker

Arteluce

Italian lighting design company Arteluce was established in 1939 by the young Venetian designer-entrepreneur Gino Sarfatti. Political upheaval at the time forced Sarfatti to abandon his aeronautical engineering degree in Genoa and move with his family to Milan. There, despite a lack of formal design training, Sarfatti embarked on a lighting career. Yet it is arguably because he was wholly self-taught that Sarfatti immersed himself in the full lifecycle of the design process, from conception to production, collaborating with artisans and architects to create stronger, lighter, and cheaper modernist lamps than Italy has seen before.

During the Second World War, Sarfatti fled to Switzerland, returning to Milan after the war to restart his company. In 1951, Arteluce’s first retail outlet opened on the bustling Corso Vittorio in central Milan (now named Corso Matteotti). The shop was re-designed by Marco Zanuso in 1953. Arteluce's second outlet, located on the glamorous Via della Spiga, was designed by Sarfatti's lifelong friend and fellow lighting designer Vittoriano Viganò in 1961.

Arteluce quickly established itself as a successful and visionary lighting brand thanks to Sarfatti’s commitment to technical, material, and production research. He designed over 400 lamps in his lifetime (though some sources say it was as many as 700), which are celebrated for their minimalist yet expressive aesthetic and experimental materials. In the mid-1950s, he began to work with Plexiglas, and, in the early 1970s, he pioneered the use of halogen bulbs into fixtures. Sarfatti also dedicated himself to improving every single element of a light fitting, from the switch to the wiring and the reflectors. The ultra-minimal Model 1063 (1954) would influence Italian floor lamp design for years to come. It was awarded the prestigious “Grand Prix” at the Milan Triennale and is known as the most eloquent example of Sarfatti's purist vision of beauty in everyday objects. In the same year, Arteluce was awarded the ADI Compasso d’Oro for the Model 559 and again the following year for the Model 1055.

In the 1960s, Arteluce became a creative hub for Italy’s most talented designers, producing designs by major talents, such as Franco Albini, Cini Boeri, Franca Helg, Ico Parisi, and Massimo Vignelli. The lighting installation for the Teatro Regio opera house in Turin—one of Arteluce's last projects, which comprised hundreds of pendant plexiglas tubes installed under the direction of legendary architect Carlo Mollino in 1972—is considered one of the company's greatest achievements.

In 1973, Sarfatti sold his business to Flos and retired to Lake Como. Many Arteluce creations are still in production today, and several original models are housed permanently in important museums like MoMA in New York. Somewhat forgotten after merging with Flos, Sarfatti’s designs are experiencing a renaissance amongst vintage collectors following the first retrospective exhibition of his work at the Triennale Design Museum in Milan in 2012.

* Images courtesy of Flos